I Dream of Jacobs ...Again.

It was only a matter of time until my weird, brother-from-another-mother connection (obsession?) with Marc Jacobs was resurrected. I had a dream about the prophetic designer last night, as I lay in the twin bed of a Winter Park vacation condo that my sister and her friends rented this week for their Spring Break (remember that? Sigh.) I can't explain why I have this (not so secret) affinity with this man. Okay, he's one of the most successful designers of this day in age, who consistently hits the mark with not one, but two, innovative labels (Louis Vuitton and Marc by Marc Jacobs) every season. And I've always had a thing for dark, handsome Jewish men ...though Marc has had his share of awkward stages.

In my dream last night, I was sitting in the classroom of some design school --but who really knows, it was probably somewhere more illogical than that. For whatever reason, Marc was the class instructor and singled me out at the end of class one day to accompany him to his newest label debut. Why me? I have no idea, but I remember scrambling to pull a pair of capris on under my skirt as I ran to catch up with him (again, quite strange).

As I sat with him at the back of the venue --music blaring, models pounding down the runway in front of us- I could barely hear his narration, so we leaned closer, as he described his inspiration for the designs and elaborated on their construction. This is surreal, I kept thinking, and before I knew it the show was over. As a gift, he walked me backstage and handed me a pair of white, ruffled shorts from the collection --still on the hanger.

The dream progressed, as dreams often do, in a scattered, day-is-night-is-day sort of way, and I'm transported to a small, retail store-type space. As it turns out, a corner of the room is my closet, with all my personal items hanging among the sweaters and skirts for sale. I'm trying to pick out something to wear when a clerk informs me that a private, Marc Jacobs sales event is about to begin. Could I please show my invitation, she asks. "But this is my closet," I tell her, and I'm allowed to stay.

Naturally, I grab up as many items as I can, ruched blouses, floral dresses, and even strange patterns I'd never wear. My friend, Alanna, appears next to me, handing me some additional items (where did she come from?). The rest is a blur, though I'm desperate to remember what I ended up buying in the dream. Come to think of it, this part is probably based on a stuffy, little vintage store she and I visited in the East Village last weekend. I tried on a thick, canvas-material, floral sundress by Marc Jacobs, but decided against purchasing anything over $200 before brunch on a Saturday. I can't even make an impulse purchase on an empty stomach.

The best part of the dream was the end, right before I awoke to the sound of out-of-towners mal-adjusted to the time difference. I was sitting back in the classroom as Marc walked over to me to tell me he had a wonderful evening the night before. I had told him how much I admired his talent, and that I looked up to him as a mentor (or something to that affect). He said he was flattered, and recognized a talent in me, as well.

Imaginary or not, nothing says Sunday morning like a good dream and waking up in the mountains.

My State of Being Convinced

I shot awake at 4:30 a.m. last Thursday, for no reason at all, and lay in bed waiting for the sensor spotlight outside the front door to shut off. I routinely imagine a burglar barging through the glass front door, all the while knowing it was probably a squirrel that set it off. When the light switched off again, I focused on the sound of footsteps in the room above my head. Dr. Thomas Fraser III, I imagined, clambering around for the first cigarette of the day. A man at the mercy of medical emergencies, he is no stranger to 4 a.m.

When you start your day in the wee hours like that, 1 p.m. can feel like the twilight zone. I dreaded that surreal feeling, and debated whether to try to sleep again or get a jump-start on my day. One by one, lists and ambitions and frustrations of the day crept into my head until I swam in an impossible sea of to-dos. Without exhaustion to put my mind to rest, I threw the covers off and woke up to the icebox known as my basement apartment.

At a loss for what to do with my morning, I figured that I would jump in the shower and head to work sooner than planned. There, I could sit at my computer with a hot cup of coffee and write for a few hours before anyone else arrived. I really hadn’t written anything in weeks, which apparently drives this writer to the brink of 4 a.m. insanity.

Though it sounded like a good plan, in reality I moseyed around the apartment for an hour and a half. When I had listened to the same Headline News loop a third and final time, I left for the office. For the first time in the history of any job, I was the first employee to arrive. They are all going to think something’s wrong with me, I thought. Once inside I cranked the heater, brewed a knock-your-socks-off pot of coffee, and sat down at my computer. By then it was 7:30. I had just enough time to check my email and type a sentence when my early bird coworker bounced through the door.

“Is everything all right?” she asked. Just like I knew she would. Everything was fine, I told her, and though she suggested a few scenarios with her eyebrows raised, she guessed nowhere near my real worry.

Three hours later I found myself sitting in her office, confessing. I’ve been called a lot of things in my day, but private isn’t one of them. It’s like clockwork, I explained to her. Every so often --and I’m not even sure how often, just that it’s happened before, I get this unbelievably anxious-restless feeling. I can barely recognize that it’s happening at first, only that I become entirely preoccupied with questioning myself about the tantalizing direction of my 25-year old existence. Before I know it I’m analyzing how well I’m contributing to the things I’m passionate about (fashion, writing, politics, design, art…) in my life.

Then I scrutinize, criticize, bully, and beat myself up in comparison to the people I admire. How will I ever get there? How am I living for the things that I love? Am I surrounding myself with people who inspire me or merely fill empty space? Is my job, is my lifestyle too safe? Am I taking the necessary risks to be the artist I hope to become? Have I exposed myself to the right environments, the right people? When will I dare to chase my impossible dreams? And when will I know the time is right? …Am I doing enough? …Am I doing anything at all? And the questions keep coming…

It’s almost like a creative state of heat –a desperate, insecure, fragmented search for reassurance. This state of mind is like a pothole on the path to envisioning my dreams, designed to trip me up and throw me off course (ironically, the same state of mind has the ability to wake me from my dreams at 4 a.m.). For several nauseating days, I go through the motions of working, eating, and sleeping, while my mind wallows in a self-depreciating muck. It is a test against my worst fears of failure. My mind tries my body with restless nights, and for a moment, doubt paralyzes every artistic bone in my body.

Thinking back on the times I’ve felt this way, it’s been onset by a long, creative dry spell, that’s finally relieved by my obsession with a new idea, perspective or project. The return to sobriety after that makes me feel more focused and alive than before. On the other side of this intoxicating insecurity is a burst of confidence in myself, and I think that’s called conviction.

CON–VIC–TION [kuhn-vik-shuhn] –noun. An unshakable belief in something without need for proof or evidence. Lindsey's state of convincing herself that she can save enough money to move to New York and get a job in the publishing industry.

Conviction must be what separates creative minds that succeed from creative minds that fade into envy and once-was. I think an artist’s misguided conviction can be misinterpreted as egotism, vanity, or pride –when, in fact, it is the most important tool for survival. What do artists have if not the tools to convince the world of their worth? And where would the conviction be without the confidence to persuade them self? As jewelry designer, Robert Lee Morris, once said, “It’s good to see that kind of conviction [in a young artist], because you’re going to need a lot of it.”

I had a lot of questions to answer for myself last week, so maybe it makes sense that my coworker thought that something was wrong. I can tell you this: to an artist, even if nothing is wrong, it can take a whole lot of conviction to believe that you are right.

I Heart Art

Anyone who knows me won’t be surprised to hear that I’m reading four different books right now in addition to the Obama Newsweek that arrived in my mailbox Saturday. It's not my glowing overachiever style, it's more of a short attention span reading style. But I’ve got the literary spectrum pretty well covered: two classic novels about life, a historical nonfiction saga about JFK, an incendiary memoir on sexual politics, and an artsy coffee table book collection of interviews called Influence.

I’ve been anxious to write about the Influence interviews since I picked up the book last week. It is a collection of interviews with creative visionaries who have made their mark in many mediums, from oils to interiors, and on many generations of artists in the twenty first century. To me, it is a brilliant attempt to proliferate the ideals, thoughts, theories, and design processes of these incredible interviewees.

I think the last time I was this excited about a book was when a friend gave me The Creative Habit by Twyla Tharp last Christmas. And, true to form, I’ve devoured each book with an insatiable desire to understand the creative force. I also watched The Discovery Channel’s Unsolved History: The Chicago Fire from Netflicks last week --just to get all my nerdy skeletons out of the closet.

To the point: there is a part of the interview with Francisco Costa when he and the interviewer are discussing a little concept called “trusting your instincts.” The interviewer tells Costa, “I don’t read any magazines. I really just try to stay in my world and figure out what I want, what makes me happy. I’ve got to trust my instincts. I really try to block out all the media and all the press, magazines, everything. At the end of the day I’m with myself, and I feel like that’s the way I’ve been able to move forward.”

I stinking love it. Not in the isolationist sense, but I was literally thinking about this the other day. I was thinking to myself, “Self, when have been the most creative times in your life? And how can I recreate that feeling?” The answer is two things: confidence and (lack of) funding.

When I think back, one of the most creative, imaginative phases of my life happened during my junior and senior years of high school. It was the perfect storm of new found driver’s license independence, local thrift stores, style experimentation, fearlessness, and naivete. As managing editor of layout and design for the school newspaper, I was the queen of my own little world. Part of my job was to write a weekly column and, by god, it was my time to preach to the people. (Read: awkward Ayn Rand phase where I’m pretty sure no one knew what the hell I was talking about --including myself). The point is that I felt like the first person in the world who thought of driving downtown Indianapolis on a Sunday afternoon to search for thrift store treasures in the all-black neighborhoods. No one knew me there for certain, and no one at school knew where I was shopping for vintage duds. I could lose myself for hours sifting through costume jewelry cases, and my exposure to that world gave me a chance to develop my own style over time (while my classmates were shopping at the mall). And my own sense of confidence.

I was voted Best Dressed by my classmates at the end of Senior year and they presented me with a cheesy plaque. I gave the plaque to the owner of my favorite thrift store as a nod to all the “friends and family” discounts they had given me over the years. Though, looking back, maybe what I should’ve done was give the owner a new CD to play in the store. I stopped there when I was in town last July, and I swear the same Doors album has been playing since 2002.

The second element is a catch-22: money. When I didn’t have my own money to shop at department stores or afford a pair of shoes in every color, I seemed to do more with less. The process of asking my mom for money in high school and instead being sent back to my closet to see if I “already had something like that,” prompted hours of dress-up behind closed doors. I can literally remember standing in my closet, looking at my clothes with a pair of scissors in my hand, ready to deconstruct something I already had.

I experienced one of these maniac moments once while my grandmother was visiting. I remember cutting up a peach-colored dress and hastily sewing it back together in time to have a new skirt for the night. Embaressed of my mom and grandmother's reaction, I tiptoed down the hardwood stairs in my A-line(ish) skirt, and ragged-hem tank top. “Oooooh, look at you,” they humored me. “Turn around, and let us see what you did. Wasn’t that a dress before?” I smiled and twirled, and just as I grabbed my purse to scurry out the door, my grandmother stopped me. “Waaaait a second,” the master seamstress said. “Look at this crooked hem in the back, it goes clear from one diagonal end to the other. Where do you think you’re going dressed like that, young lady?” Needless to say, I'll never make a decent tailor without some training.

So, sure, I still express myself through fashion, it’s just that life goes by at a different pace when you’re older. Suddenly, I don't have the time or energy to play dress-up in my closet after a long day at work --much less hem a pair of pants. It's easier to walk into Banana Republic and grab a sweater off the shelf then spend hours digging through moth-ball remains. Searching for inspiration is such an active process that most days, it's easier to let someone else do the work. Eventually, the process is unconscious. I can pick up a magazine at the grocery store or watch an hour of TV to appreciate the end-result of someone else's imaginative process ...say, Marc Jacobs?

Soon my focus wanders off into places where other artists are going ...their vision, the things that inspire them. When an artist becomes more concerned about the creativity around them, they've lost their authenticity. And I don’t feel much like an artist when I don't have a vision. If best creative state of mind means living the way I used to (minus the braces), I'll need to slow down (spend more time alone in seedy thrift stores?), set aside time to indulge my ideas, and surround myself with people who encourage me to create. As Bob Colacello once said, "Real creativity is being true to yourself and getting people to go with you. That's influence."