A Career Blogger Named Penelope.

I realize that if I keep writing about my obsession with the creative process, I'm going to have to change the name of this blog to Monogamy. Having said that...

I don’t even know what I was reading this morning. (This is the way 90% of my statements begin each day, btw). I don’t remember what led me to this career blog, what RSS thread I followed, or what newspaper article pointed me in her direction, but there I found myself, sifting through archives and jumping around like a bean, hot on hyperlinks. Brazen Careerist: Penelope Trunk.

“The starving artist routine is total bullshit” catches my attention first. Go figure. I would rather start a conversation with a provocative, definitive statement any day over something tired and truthful. (The idea of this makes me laugh because I know I’m about to get myself into trouble here.) I mean, seriously. I can talk for hours with someone who is a provocative bullshitter (I mean this in the most light-hearted sense) as opposed to someone who is going to bore my socks off with safe things to say.*

So “the starving artist…” line catches my attention and seconds later I’m on a tough-love kind of posting about building a career as an artist. Halfway through the article I not only agree with everything Ms. Penelope says, I’m half-tempted to cut-n-paste it to Flirtationships and call it my own (Flirting with copyright infringement? Flirting with disaster, perhaps?) Her advice is as follows:

1.You cannot do art if you are starving. Literally. Romantic notions aside, its difficult to make art when you know you can’t even pay your rent, she says. “Your brain cannot stop solving [the problem of being kicked out on the street] long enough to solve the problem of what is truth and beauty.” Good point. In fact, brilliant.

2.Art emanating from a black hole is a choice. Don’t kid yourself, says Penelope, “Your art reflects your surroundings, and you can live like a pauper, but that limits the range of your art.” [Insert ‘why I spend all my money on fashion’ argument here]. Surrounding yourself with beauty begets beauty, just as happiness begets happiness, and so on. She makes me chuckle though, talking about the stories she used to write, back when she couldn't afford to go out with her friends. Her mentor suggested that she add a character so that the narrator could have a conversation, and it struck Penelope as a revolutionary idea. Oh dear…

3.Real artists will make art no matter what. You already have all the tools you need to make art …if, in fact, you’re really an artist. “Because making art comes from a place that you cannot stop. People who need to make art make art no matter what,” says the Wise One (and by now she’s on par with Twyla).

The next thing out of her mouth gives me a pang of Washington Post-ism but I love it anyway –because she takes the words right out of my mouth. “Do you know how many blog posts I throw out? Maybe two a week,” she says. I’m gathering that I’m a bit more ADD than my new friend, though, considering I throw away about six posts per week, but hey...

“…Sometimes something happens and I absolutely have to write about it, and I see, from the beginning, that there’s no way I’ll be able to relate it to [my blog topic], so it’s going to end up in the blogging trash can. But I write it anyway.”

And so do I.

4.You do not need to quit your day job. (Noooooooooo! No! No! No! She can’t be saying this!) I hate the truth in this statement just about as much as I hate when people ask me what I do when I’m in front of people who already know what I do (particularly coworkers). So lately I've been confidently telling people that I’m a writer, but that I work at a financial planning firm to “keep the lights on.” Try my strategy. It’s got a pretty remarkable effect on the conversation.

Don’t tell Penelope that your day job is crushing your soul (But… but…). She’ll tell you that her entire blog is about how your soul does not depend on your job or your job or your paycheck. I’m telling you, this woman is the real deal. Right, Alanna? Penelope says that, “if you are an inherently creative thinker, you probably bring that to whatever job you have.” I think my mom told me the same thing once.

5.You are not a better artist if you can do it full time. Good to know. I wish I could say here that she saved me a lifetime of wondering what it would be like to travel the world a laHemingway-style, but the jury's still out.

So I’m feeling pretty good at the end of this article, and she hooks me with the last sentence: “And, I leave you with one of my favorite posts, that I never get to link to, about me making myself crazy being an artist.” I’m not even going to pretend I had anything better to be doing at work this morning, so naturally, I followed the enticing jump.

That’s when it happened. The words: How to cope with self-doubt, emblazoned across the top of my screen in towering, extra bold 600-point font. The first thing I did was look around me to make sure no one else noticed. The second thing I did was find all the reassurance I’ve been looking for:

“Tonight I am so upset I can’t even finish my stack of reading,” Penelope writes. “I fear I will read somewhere in my pile that the Nobel Prize committee has decided to make 100 simultaneous awards and they are all to people I know and now everyone I ever talk to will have a Nobel Prize and I won’t [...irrational daydreams. check]. Tonight I am worrying that other people have greatness and there is a finite amount of greatness and it is slipping out of my hands […said Lindsey. Jesus, this woman is reading my mind]. Also, it is embarrassing to admit to wanting greatness knowing that there is a risk that I will not achieve it.”

From there, she moves through a few familiar phases: 1) emotional eating (though I may have opted for a martini happy hour and cheese plate) 2) bringing others down to make yourself feel better 3) refocusing on her own career and 4) finally, pushing past ugly face of self-doubt. I’m not alone! As it turns out, gosh darnit, every artist has moments of self-doubt –they just don’t like to talk about it, let alone post it where Google can find it.

So tonight, my friends, let me leave you with something to soothe that secret bit of self-doubt you occasionally hide from your friends. Because for the time being, it’s soothed mine:

“Everyone has her moments of huge self-doubt, often in the face of someone else’s grand success. But there is not finite success in the world. There is just a finite amount of people who can stomach the pain of wanting success so much.”

*(And immediately I want to take that back. But I’ll let the statement stand on the condition that you know there are exceptions to this rule. Such as a bad discussion of religion, sex, and abortion in a terrible Chinese restaurant outside Beijing with Jaime, from Semester at Sea.)

The Benefit of Just Showing Up

Never mind the fact that I have sixteen half-written blogs to choose from this morning, running across any article about the creative process warrants a stop at the lemonade stand.

(Eat, Love, Pray Author on How We Kill Geniuses by Kim Zetter)

Over the years, I’ve read a couple of really great books about the creative process by writers, dancers, choreographers, photographers, painters, designer, and ever a few actresses thrown in for good measure. Most of these books end up as best sellers. For one, people like me can’t walk past one in a bookstore without marching to the register. Granted I’m biased, but I think creativity captivates people because it has no formula. Beyond sitting at your desk to write everyday, or showing up at the studio to dance, there’s no guarantee that brilliance will come.

In fact, it rarely does.

According to the United Nations Educational and Cultural Organization (UNESCO), there are 175,000 books published in the United States each year on average. Of those, less than 5% ever sell more than 5,000 copies, and the odds of winding up on the New York Times Best Seller list are 220:1. If my Times measuring stick doesn’t convert to your standard, consider this: On any given best seller list, more than five spots might be occupied by unbeatable bestsellers which have been on that list for years!

The point is that a million writers are putting thoughts to paper at any given moment, half of them have the intention of being published, a quarter of them will convince themselves that they deserve to be published, less than that will convince someone else (who can actually make that happen), 795 lucky writers have a shot at a Times best seller, and in the end, the one who strikes any of us as the creative genius wont even be able to tell us how they did it.

Whether it’s all just smoke and mirrors, divine intervention, hard work, or dumb luck, we'll never really know where creativity blurs to genius. Neither will the artist. Which is why I love this article I ran across yesterday.

If you haven’t already (Ali, Theresa…), read Eat, Pray, Love by Elizabeth Gilbert. I’m not going to get into any selling points since 99.9% of you have read it. The real story is what happened after it became a huge success. With its success, Gilbert achieved unexpected attention, which she says, was all very nice until people began to wonder how she would ever top her achievement.

“Everywhere I go now people treat me like I’m doomed,” she said.

Following her tremendous success, Gilbert watched as her peers set her smack dab in the middle of their concocted “downhill dilemma.” It was not the way she saw it at all.

Last Thursday, Gilbert gave a speech in California entitled, “How We Kill Our Geniuses.” The idea is that American society kills its geniuses (aka best selling authors, and all types of artists) by demanding super-human powers from them. Gilbert argues that “…instead of seeing the individual as a genius, we should view the brilliance as a gift from an unknowable outside source –some might call it a muse, others a fairy or god force—that visits us on occasion to participate in an act of creation, and then leaves to help someone else.”

She received a full standing ovation for her talk from an audience of people who, according to Kim Zetter at Wired, “generally don’t give in to beliefs about muses, fairies and god forces.”

I’ve absolutely heard this theory before. In fact, I’m sure that it’s a mindset prescribed to artists for the same reason doctors prescribe Ambien. This type of thinking takes some of the pressure off someone trying to put everything they have into a creative endeavor. Renowned choreographer Twyla Tharp says that you can walk around every day hoping to get hit by a bolt of lightning (metaphorically speaking), but unless you hike up to the top of a hill, it’s less likely to happen. Okay, I’m sure her metaphor is a bit less gruesome, but she describes it as lightning, nonetheless.

It’s all about the legwork on our “mortal” end of things (if we’re talking divine intervention, that is). Gilbert said in her speech that she ran into a severe case of writer’s block while writing Eat, Pray, Love and resolved that if the book didn’t turn out to be as good, it wasn’t going to be entirely her fault. “So if you want [the book] to be better,” she said aloud to whatever entity it was that usually helped her, “then you’ve got to show up and do your part of the deal. But I’ll keep writing anyway, because that’s my job. And I’d like the record to report today that I showed up.”

Just do your job, Gilbert says. Show up everyday. Hike to the top of the highest point for inspiration –whatever it may be that positions you in the right place every day so that when the lightning/god force/220:1 probability/transcendent state/muse/fairy/inspiration decides to bless you, it will know exactly where you are.

I read Stephen King’s book On Writing when I was in high school, so I’ll end with my favorite quote:

“Put your desk in the corner, and every time you sit down there to write, remind yourself why it isn’t in the middle of the room. Life isn’t a support-system for art. It’s the other way around.”

...Awaiting Vermillion

Nothing makes me lose my voice faster than pouring my passionate little heart out to a near stranger over a lousy brass band.

Someone made the mistake of telling me that James is a writer. Not just any writer, James is a techno-terrified writer who reminded me so much of my pre-blogging-days self that I decided to convert him. Don’t worry, I said, blogging is easy. Then before I knew what was happening, I placed my hand on his shoulder, looked my newfound friend (of a friend) square in the eyes, and told him that someone out there cares about what he has to say.

I realized after our conversation that I may be responsible for giving birth to the world’s ten millionth sports blogger –and for that I will be very sorry.

That night I saw a touch of my own once-upon-a-writer's insecurity in James. When I’m not out shamelessly promoting Flirtationships at my new book club, or jotting notes down on Pearl Street Pub cocktail napkins, or mass-polling my friends across the country on g-chat, I sometimes wonder if I have anything worth saying at all. In these second-guessing moments I take comfort in a quote by Ralph Waldo Emerson. Emerson said that, “Every artist was once an amateur.” Simply put, you’ve got to start somewhere and it may not be pretty.

As in many quests for guidance, my musings led to the Google search bar in the upper corner of my computer screen. I thought to myself, James and I can't possibly be the only writers in history to have felt this way. (I realize I’m putting words into James’ mouth at this point, but let’s just call it a hunch). Discouragingly, my search for “writers + insecurity” turned up little more than ten sites with the same article. Worthless as it may be, I found a diamond in the rough(ly edited advice):

“Advice Tip Number 5: Ignore the Rules. Rules can be intimidating; intimidation a shortcut to insecurity. You may not know precisely when to use a comma and when to use parentheses, but that decision will never equal the importance of a good idea. We first need broad strokes to lend foundation. We wash our world in red, blue, yellow, and green. Chartreuse and vermillion come later.”

The advice is not nearly as succinct as my man Emerson, but still a valuable gem.

Speaking of treasures, one Christmas a friend of mine gave me a book so full of gems that Queen Elizabeth might have mistaken it for a crown. The book is Twyla Tharp’s The Creative Habit: Learn It and Use It for Life. For those of you who don’t know Twyla, she is a world-class choreographer, and a disciplined soldier of the arts. She has choreographed more than 135 dances, five Hollywood movies, directed and choreographed three Broadway shows, written two books, and won so many awards you’d be warranted to stand up, quit reading this blog, and swear off potato chips forever.

I can honestly say that I’ve never read a book as slowly as that spring of 2008. When I opened to the first page I felt like a dry sponge sitting next to a kitchen faucet, and once I started, I could hardly get through two pages before I could absorb no more. I probably read The Creative Habit in 271 three-page sessions over the course of a year --I loved that book so much. Now whenever I think of my own creative process (or stick on a hang-up), her graceful wisdom comes to mind.

The exercises sprinkles throughout The Creative Habit are designed to sharpen one's creative process, from movement to perception,or any medium from dance to oil-on-canvas. True to “Anonymous Tip Number 5,” I started practicing the following exercise verbatim, until only recently discovering its vermillion, so to speak. It's simple. Twyla suggests sitting somewhere where you can observe another person from a distance, and making a list of their first 30 movements. The exercise draws your attention to the details and focuses your descriptive skills.

To put it lightly, my own “exercise” strays from the example. For instance, I’ve collected six 1” scraps of paper and four cocktail napkins in the past two weeks, each with its own blog idea scribbled to varyious degrees of legibility. I think to myself, this will make a really [insert adjective] blog tomorrow, but the funny part is that I haven’t written about a single one of those scribbles.

When I look at the scrap of paper the next day, I end up writing about something to my left from the night before, something that happened off screen, but never what happened right in front of me. Either way, my habit of writing something down, or as it turns out writing anything down, sharpens my attention to the setting ...if not the right scene. I'm clearly on to something here, but like a toddler putting her shoes on the wrong feet, I've got a few kinks to work out.

The moral of the story? If every artist was once an amateur, then who’s to say a quirk won’t make yourmethod work?

Dedicated to James.